River of Smoke
Amitav Ghosh
Published by Hamish Hamilton, 2011
This is the second part of the triology, following Sea of Poppies. As I have said many times to my friends in describing these two books, and also as said in some of the reviews, this is more history than fiction, kind of fictionalized history. The individual characters and their stories are fiction, but the major events and the background are historical. The first book, Sea of Poppies, brought together at its end a diverse set of characters all going away from British Calcutta around 1835 in a ship which meets up with a severe storm. The characters include a lady fleeing from sati, the lower caste lover who rescued her, a former zamindar who has been cheated by the British govt. (actually the East India Company govt.) of his wealth, a half-French half-Indian young girl, and so on. In the confusion caused by the storm, some of them escape. The present book starts more or less after the storm, and traces the careers of some of these characters. One of the main protagonists of River of Smoke is Bahram Modi, a Parsi opium merchant from Bombay, who sails to Canton with a ship load of his merchandise. Also coming to Canton is a botanist from London, in search of rare flower, and who is accompanied by the half-French girl. Most of the action takes place in Canton. The underlying history is that of the opium wars that the British conducted against China. The two-fold horrors perpetrated on both India and China is what Ghosh wants to expose, apparently. The British forced Indian farmers to grow poppy in the fields in Bihar and Western UP, instead of food crops, and then bought that crop at a pittance, thus driving the farmers into wretched poverty. The poppy seeds were processed in Calcutta into opium, and shipped to China to be sold there. When the Chinese government, fearing the wholesale corruption of their entire population, acted to ban the sale of opium there, the British brought on their warships and forced the Chinese to revoke the ban. Obviously, this is reminiscent of what happens even now - Pepsi, various drugs, GM seeds, SUVs and so on, though Ghosh does not even faintly indicate the parallels.
The book is written in a scholarly fashion. It is rather emotionless, perhaps deliberately so, for one can nevertheless sense the underlying rage against the depredations of colonialism. Some portions seem laboured. The opening sequence, for example, is apparently intended to be a kind of introduction, based on the previous book, to what happened in the story till then. However, even for those, like me, who read the previous book, it is somewhat confusing. But the book picks up after that. It chiefly follows the doings of Modi, mainly in Canton, up to his ultimate downfall, upon which the books ends. It also tells the story of Paulette, the half-French girl, and her attempts to get a sample of a rare orchid; and of several other characters. One of the ideas behind this book and the the previous one is to explore the different forms the English language assumes in different circumstances. In Sea of Poppies, we are introduced at great length to English as spoken by the Englishmen who have spent almost all their lives in India (i.e. it is full of Hindi and Bengali words and usages). We are also shown the English spoken by the shipboard lascars, who come from a variety of different countries and end up communicating with each other in their own version of the language of their bosses. In the present book we are made familiar with the pidgin English spoken by and between all those involved in the opium trade in Canton.
Despite the lack of emotion (or perhaps because of it) this is a good book to read, as a novel, as fiction. It is gripping, except, as I said, for the introductory sequence. The language, of course, is marvelous. The next and perhaps last book of the series promises to be even more like a history textbook. Most of the stories of the characters from the first book have been completed in the second one. It is hard to see how Ghosh can continue from here. Maybe he will go back to the end of the first book, and follow the lives of some of the characters from there who are not mentioned in detail here. That is, the trilogy will not be linear, 1,2 and 3, but will split into 2 and 3 at the end of 1. We may have to wait a few years to find out.
The book is written in a scholarly fashion. It is rather emotionless, perhaps deliberately so, for one can nevertheless sense the underlying rage against the depredations of colonialism. Some portions seem laboured. The opening sequence, for example, is apparently intended to be a kind of introduction, based on the previous book, to what happened in the story till then. However, even for those, like me, who read the previous book, it is somewhat confusing. But the book picks up after that. It chiefly follows the doings of Modi, mainly in Canton, up to his ultimate downfall, upon which the books ends. It also tells the story of Paulette, the half-French girl, and her attempts to get a sample of a rare orchid; and of several other characters. One of the ideas behind this book and the the previous one is to explore the different forms the English language assumes in different circumstances. In Sea of Poppies, we are introduced at great length to English as spoken by the Englishmen who have spent almost all their lives in India (i.e. it is full of Hindi and Bengali words and usages). We are also shown the English spoken by the shipboard lascars, who come from a variety of different countries and end up communicating with each other in their own version of the language of their bosses. In the present book we are made familiar with the pidgin English spoken by and between all those involved in the opium trade in Canton.
Despite the lack of emotion (or perhaps because of it) this is a good book to read, as a novel, as fiction. It is gripping, except, as I said, for the introductory sequence. The language, of course, is marvelous. The next and perhaps last book of the series promises to be even more like a history textbook. Most of the stories of the characters from the first book have been completed in the second one. It is hard to see how Ghosh can continue from here. Maybe he will go back to the end of the first book, and follow the lives of some of the characters from there who are not mentioned in detail here. That is, the trilogy will not be linear, 1,2 and 3, but will split into 2 and 3 at the end of 1. We may have to wait a few years to find out.
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