Cheaper By
The Dozen
Frank B.
Gilbreth Jr. and Ernestine Gilbreth Carey
A Yearling
Book. First published 1948.
This is a story from Main Street, America
- very Reader’s Digest-y. It is a series of humourous, ‘heart-warming’
anecdotes strung together in roughly historical sequence, about a family of
twelve children, six girls and six boys, and their parents, Frank and Lillian
Gilbreth. According to the book, these two pioneered ‘motion study’, or what
may today be called ergonomics – the science, and maybe art, of performing
tasks, especially industrial tasks in a factory, most efficiently, with no
unnecessary effort or time. Considering that their researches were conducted
and their theories were developed in the early part of the twentieth century, when
Henry Ford had just built the production line to manufacture his cars, it would
just perfectly fit in with the ‘zeitgeist’. One could probably place the couple
among the earliest industrial engineers.
But the book is only marginally about
industrial engineering. It is mainly about the father, Frank Gilbreth, and how
he impressed his forceful, if benevolent personality on his family. Probably of
necessity, he introduced a large degree of regimentation into their life at
home, with some of the measures producing hilarious and unforeseen
consequences. By and large this a very readable book, with obvious, but
harmless, exagerrations, mostly for dramatic effect. Of course only those
stories that can be lead to an overall pleasant effect find place in the book.
Surely there must have been many nasty and terrible things that happened, as
happens in any family, but these are not even mentioned. Thus, it is not a
serious book about a large family growing up in an America that was just then flexing
its newly-found muscles as the economic, military, and even cultural,
superpower. It is forcibly a ‘happy’ book, with happy stories about a happy
white upper-middle class American family. The version I read now is
complemented by a Norman Rockwell-like painting of the family on the cover.
This is very appropriate, considering that the book is an expression of the
light, happy, conservative emotions seen in Rockwell’s paintings.
No comments:
Post a Comment